Admiration that verges on worship is expressed in Van Eyck's The Madonna and Chancellor Rolin; Botticelli's The Birth of Venus; della Francesca's Resurrection; Tiepolo's Triumph and Nobility; and Rigaud's Louis XIV. (50 minutes)

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Part of the Series : 100 Great Paintings


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		Self-portraits The artist as his own model represented by Durer's Self-portrait; Rembrandt's Self-portrait as the Apostle Paul; Van Gogh's Self-portrait; Ensor's Self-portrait with Masks; and Vigee-Lebrun's Self-portrait. (50 minutes)(more details)
		The Language of Color One of the basic elements in any artist's vocabulary, color is here presented in the personal languages of Poussin's Adoration of the Golden Calf; Vermeer's The Artist in his Studio; Pollock's Autumn Rhythm; Kandinsky's Improvisation 6; and Gauguin's...(more details)
		Reclining Nude The icon of human perfection, the reclining nude has become a symbol of femininity as represented in Giorgione's Sleeping Venus; Boucher's Recumbent Nude; Goya's The Naked Maja; Manet's Olympia; and Matisse's Blue Nude. (50 minutes)(more details)
		Gardens The human need to connect with nature's bounty, and the meanings attached to the garden, are presented in Bellini's The Agony in the Garden; Bosch's Garden of Earthly Delights; Monet's Woman in the Garden; Mondrian's Flowering Apple Tree; and Klee's ...(more details)
		Love From domestic harmony to erotic mystery, love as interpreted by Ernst's The Robing of the Bride; Correggio's Leda and the Swan; Poussin's Venus Spied on by the Shepherds; Gainsborough's Mr. and Mrs. Andrews; and the Kangra miniature Radha and Krishna...(more details)

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