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Music written for public performance in concert halls and theaters required composers to keep abreast of popular styles. Music of Handel, Couperin, Scarlatti, and Rameau is performed by the English Bach Festival, Huddersfield Choral Society, American Boychoir, Academy of Ancient Music, and Wexford Opera Festival. Contents include excerpts from: Handel’s Zadok the Priest, Music for the Royal Fireworks, Concerto for Organ in D Minor, Orlando, Messiah; Rameau’s Nais; Couperin’s Deuxième Ordre; Telemann’s Sonata in E Minor; Scarlatti’s Sonata in B-Flat Major; John Gay’s The Beggar’s Opera. (60 minutes)



 
    

Item#: This title is currently not available.
Copyright date: ©1982



Part of the Series : Music in Time
     


Not available to Home Video customers. Only available in the US, Asia and Canada.




The Renaissance

This program covers the patronage of the Dukes of Burgundy and the Kings of France, and the continued influence of the Church. It shows how music, like philosophy, moved away from the elaborate formality of the Gothic and, like architecture, sought n...(more details)
 
Luther and the Reformation

This program covers the impact of the Reformation on the history of music; the work of Johann Sebastian Bach; the importance of church organs and chorale singing. Music of Buxtehude and Bach is performed by James Galway, Peter Hurford, the Vienna Boy...(more details)
 
The Golden Age
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This program covers the wealth of music during the age of Elizabeth I in England and its spread from the Church and the courts to the middle classes; the emergence of opera in Italy and France; the celebration of St. Cecilia; Elizabethan madrigals. M...(more details)
 
Vienna

This program covers Mozart in Salzburg; Mozart in Vienna; Mozart's operas examined by Sir Peter Hall; the great Mozart symphonies and the Requiem Mass; and Schubert, his piano works, chamber music, and Lieder. Performers include James Galway, the Vie...(more details)
 
The Seasons and the Symphony

This program covers Vivaldi's musical celebration of the seasons and the Italian countryside; Gluck's transformation of opera into a dramatic as well as a musical experience; new ideas for symphonic composition at Mannheim; and Haydn, father of the s...(more details)
 


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